The relationship between China and the United States is comprised of a delicate balance of political might and economic interdependence. Infinite Regress, a site-specific installation created for the Present Tense Biennial, includes clothing representative of what is manufactured in China for import, now fabricated out of dried foodstuffs and packaging imported from China and purchased in Chinatown.

Part of a larger project called i don't know where i've been, this installation represents the third stage of memory making, Recall, by portraying a non-linear narrative intermixed with moments of abstracts projected from opposite sides of the space.

Historical Reconstruction: Balloon Bridge is a project that seeks to recall the forgotten history of San Francisco's Dogpatch neighborhood by temporarily rebuilding a portion of San Francisco's first transportation artery, the Long Bridge, out of balloons.

In the tradition of Marcel Duchamp's Readymades, Funny Games is an installation that seeks to revive the moment of neo-patriotism that emerged post 9/11 and to comment on how our distance from the daily realities of the war allows us to look at war as a game.